And they build a shady seat… Ah, no; the years, the years; See the white storm-birds wing across!
And they build a shady seat. Ah, no; the years, the years, See, the white storm-birds wing across.
The first five lines show family members of different generations clearing and preparing the lawn, perhaps for a garden party. The scene is festive. The storm-birds are harbingers not only of a particular storm but also of the general work of wind, rain, and time, which will erase the joyful moments in the garden along with the garden itself and the cherished people in it.
This rhetorical pattern, replicated in all four stanzas, contains two thematic perspectives, where the first five lines point one way and the last two point another.
We are here for a while, and then we are gone. They exist together in tragic equipoise, five lines to life, two lines to dissolution, bound together by the structure. Another formal element that serves the meaning is the shortened fourth line of each stanza.
While the first three lines contain mostly three stresses, the fourth contains only two feet and two stresses.
When you come upon that fourth line, the change in sound pattern creates a sonic effect of falling short, a disappointment in the ear when the expected third stress fails to sound. This rhythmic deflation of the fourth line hints at the inadequacy of gardens, nice houses, and families to save us in the grand scheme of nature and time.
Listen to how it plays out in the third stanza: They are blithely breakfasting all— Men and maidens—yea, With a glimpse of the bay, While pet fowl come to the knee. Ah, no; the years O! And the rotten rose is ript from the wall. How does this happen?
It may have something to do with psycho-acoustics, but I would explain it this way: By sonically suggesting things that will not endure, the line itself embraces the binary view inherent in the whole poem—the lovely image and the note of sadness.
What about the rhyme scheme? It does not vary: In each stanza, the end of the first line, which is part of the happy tableau, rhymes with the end of the last line, seven away, where the doomful message sounds. In a well-wrought poem, this kind of sonic equality will suggest a relationship beyond mere sound.
In this case, the equivalence points up the radically ironic contrast in meaning: This musical echo reaching across the stanza is another technique for yoking together the happy five-line unit with the dark two-line ending.
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This rhyme, repeating continuously in those positions in each of the four stanzas, works against the discontinuity that the poem is about. What does all this have to do with a moral attitude?
The ideal comes into play as language organized formally that controls time and imparts order. Time passes, people perish, nature overwhelms. This implies the futility of having a garden and a house.
Can a poem last? Perhaps it can if it is worthy of the idea that it expresses. It must be commensurate in its form and comportment the ideal with the observed facts that it describes the real.
Such a poem at least stands a chance of outlasting the specific garden, the house, the wife, the man. In Hardy, there is never an alcohol-fueled linguistic rampage, as in Hart Crane.
This was a contrast that Yvor Winters was very fond of. He bashed Hart Crane at every turn. It enacts the falling short and embodies the ironies of circumstance that it dramatizes.A summary of Hardy’s classic poem.
Thomas Hardy () was a prolific poet as well as a significant Victorian novelist. ‘During Wind and Rain’, written in , is about the big things: life and death, and the passing of time. Dec 29, · It's a poem that covers a long period of time, in memory on a stormy night following a young family though their lives to their end.
The picture is of Thomas. Oct 23, · Today we shall take a look at Thomas Hardy's poem During Wind and Rain. It might be puzzling at first glance, but one quickly notices that the first five lines of each stanza depict a pleasant scene of middle-class family life in rural England roughly .
A Review. of Thomas Selected Poems: Afterwards Darkling Thrush During Wind and Rain eutral Tones N The Voice Bibliographical Data of Thomas Hardy. The Voice - Woman much missed, how you call to me, call to me, Woman much missed, how you call to me, call to me, Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, He trained as an architect and worked in London and Dorset for ten years.
During Wind and Rain. Thomas Hardy. Project Gutenberg's Frankenstein, by Mary Wollstonecraft (Godwin) Shelley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever.